John Dos Passos

Gathering insinuations

A novel is a web of gathering insinuations, said novelist Doris Lessing, and I see the web of insinuations making a clear pattern in the brilliant USA Trilogy by John Dos Passos. The beginnings of the labor movement in the U.S., the conflict between ideas and behaviour. "The woikin man gits f'rooked whatever way you look at it," said Gus, "and I don't know whether it's his friends or his enemies does the worst 'rooking." ( USA Trilogy, Part 3, The Big Money) Didn't I just read something about millionaires in the cabinet of the socialist, so-called, Hollande government in France? Are we doomed to such gaps between talking the talk and walking the walk?

I was telling my Artchat Podcast buddies ACP 78, Curation as a Social Act about the prescience of Dos Passos, who uses mini biographies as one of his narrative modes. The subjects are men and women who defined the 20th century in my view, both the well known, such as Woodrow Wilson and Theodore Roosevelt, Thomas Edison, Henry Ford, and the lesser known but influential such as Eugene Debs, whose story was crucial in forming my political views when I was a teenager, and Robert La Follette, and Minor Kieth, whom I had not heard of until I read this book and learned through his mini bio how the United Fruit Company came to be and how it created the conditions that fostered the Latin America of today. Andrew Carnegie, Luther Burbank, Isadora Duncan, JP Morgan, The Wright Brothers and Frank Lloyd Wright.

Who are the people of our time that our descendants will be talking and writing about, and under whose influence they will be living, 75 years from now?


Thinking about Dos Passos

Re-reading the USA Trilogy again. The copy I have is one I gave to my brother Tim in 1968, back when we were fighting about the Vietnam War. The cover price for this two-inch thick illustrated softback, its cloth cover losing threads by now, is $2.85. I remember buying it in a bookstore in either San Francisco or Santa Rosa. Probably the former.
     Dos Passos had a grand vision for content and style. In my view, he wanted to present the sweep of events and characters that would create the U.S.A. of the 20th century. A big theme, and one that influenced me in the 60's, is the tension between labor and capital. He began pre-WWI in the first book of the trilogy, The 49th Parallel, and continued through the war until a few years after it. The result is a mosaic of news events, popular songs, short biographies of characters who shaped the times, like Eugene Debs, Robert Follett, Thomas Edison, a continuing stream of consciousness autobiography, and the developing stories of various characters, working men and women, businessmen, politicians, journalists.
     The period he writes about is the same in which my new novel Presto!
is set. The difference is that while DP's canvas is huge and crammed with content that gives a thorough sense of the times, I have restricted myself to the point of view of a single character and events that occur through a single ten day stretch. Yet I see that my character is affected by the many of the same events and the consciousness of the time DP so thoroughly depicts. I am inspired by his use of different styles of narrative, including the newspaper headlines. To think that even before radio, the many newspapers with their many daily editions were able to keep people, if not instantly informed, like now, at least current! As I work on either the last or next to last draft of Presto, I am thinking too of graphics within novels. How they can open and enhance the text.